work by sydney
 
 

Two Parallel Lines (Nyc Subway Encounter Series)

/ˈperəˌlel/ adjective
(of lines, planes, surfaces, or objects) side by side and having the same distance continuously between them.“parallel lines never meet”

“Waiting for my train. I stare at the other side of the platform.

The platform, filled with a variety of impromptus, suddenly appear as a stage to me. 

Under the light of the sky and the overhead lamps, the choreography of daily life comes alive.

I pick up my camera and capture the moment.”

 
 
 

about

Brand Guidebook for Verge Hotel, printed in RISO.

"Verge Hotel" is a passion project for a hotel business in Havana, Cuba, introducing the converging worlds of Havana’s preserved charms with a contemporary take.

info

Size: 6x8" inches

Pages: about 50 pages

Edition: 100

Price: Please inquire

Printed at the @SVARISOLAB

 
 
 
 

Zip (A Journey of a Ubiquitous Hole)

The title Seoul Jamsil Study - Zip (a journey of a ubiquitous hole) is a combination of two words. Jamsil is a name of a city in Seoul, South Korea, where I grew up, and Zip refers to a type of archive file format that is used to compress data. I used visual images from various online sources and composed these "found images” into multiple, strip-like sequences, formatting a narrative. In this manner, the book serves as an archive that compresses the story of life in Seoul as well as being a critique of urban development.

The presentation of my work builds upon an iconic interaction with the viewers, allowing them to experience the contents by touching and looking at its physical form and encourages the viewer to further transform the object through direct engagement. 

 
 

Installation View

The applied concept of my book is to study a trajectory of a sinkhole that opens onto an island landfill. Punching holes into the book makes the image blurry, abstract and destructive while simultaneously making a collection of new images from the cut pieces. 

By subverting the traditional gallery experience where artwork is appreciated only by looking at the art piece, my work asks viewers not only to get into close contact with the work, but to interact and communicate with it.